Ten Ways to Build Writing Confidence

Happy Friday, everyone!

In previous posts, you may remember me mentioning the importance of creation before you can even begin to contemplate editing. Sounds obvious, right? Maybe even easy? A second glance, however – or a second sit-down at the desk to stare at a blank page – reveals that often, it’s the exact opposite. In today’s post I want to take a little detour from our usual fare of editing and the like to talk about writing.

First, let’s get a misconception out of the way – there’s no ‘magic cure’. There will be days where the words just don’t flow, and everyone has them. There’s no hard science that will instantly make everyone prolific. Much of it boils down to practice, experience, and discipline. Yet there are some factors that you can influence in order to make practicing – and thus discipline – come more easily, and lead to experience. Many of these will overlap with those I’ve mentioned in ‘When Editing Is Bad’.

  1. Give your writing – and yourself – due respect. Recognize that this effort is just as important as any other pursuit. Often we become inhibited by thoughts such as “I’m not good at this, so why should I bother?” or “But this has already been talked about.”. They’re often grounded in falsehood and sabotage you before you even begin. Own what you’re doing.
  2. Following on from the above, build an environment that will best cultivate this fledgling habit. This could include setting aside a particular time/day, setting deadlines or goals if they help you or removing them if they don’t, finding a dedicated space in which the writing happens, noise levels, and so on. You may find that this is a work-in-progress in of itself, or that it varies depending on what you’re working on.
  3. Find a support network. There are an unbelievable amount of writers out there and just as many readers, but instead of finding this daunting, know that there are a nearly equal number of groups where you can share your writing and get feedback and encouragement. Likewise, enlist the help of friends and family for additional encouragement (I promise you, I get more encouraging remarks than sneers when I say I’m a writer). No one does this alone, and feedback will be crucial to your improvement.
  4. Find a method that works best for you. You could be a plan-it-out-to-the-last-detail writer, with oodles of notes and bullet-pointed frameworks, or you could be a “I’m going to start in the middle and see what happens” sort. You could prefer writing by hand or by typing or by dictating and transcribing. Everyone works differently and no method is better than another.
  5. Gather what external resources you need for the particular work. If you need to write webcopy for a client, make sure you know what they want; if you’re contracted to write an article on growing tomatoes, read up on tomato-growing; if you’re writing a historical novel set in Jamaica in the 1800s, do your research; if you’re experimenting with ghazals as a poetic form, study lots of ghazals; if you’re writing the next best sci-fi novel, watch a bunch of sci-fi movies or spend an hour or two on Pinterest to get inspired.
  6. Practice. Scribble thoughts in a notebook or on post-its as you go about your day. Keep GoogleDocs open. Write down all your thoughts at the end of the day. Journal. Whatever works best for you. The idea is that the more accustomed you grow to physically articulating your thoughts and seeing them there on the page, the more normal the action will become for you.
  7. Read widely. The truth of the matter is that, if nothing else, reading widely will show you what’s possible.
  8. Try not to pigeonhole yourself – or be too strict – in the beginning. Started a romance novel that ended up wanting to be a mystery? Got halfway through your essay and ended up changing your own viewpoint? What was supposed to be mere tangential evidence in your thesis becomes the thing you’re actually interested in? It happens! The important bit is that you wrote.
  9. Try not to get too caught up in making it perfect the first go round. Editing can come later. Just get it out for now.
  10. You cannot make everyone happy. There are going to be people who love your work, and others who can’t stand it. Building up a thick skin is part of being a writer. The most important thing is, as Philip Pullman says, to write to please yourself. Write the novel, or poem, or critical article, or biography – whatever it may be – for you.

I know not everyone is aiming to make writing into a fullblown career. Some folks just want to be more confident when it comes time to write up that quarterly report for the boss, or feel pretty good about their college entrance essay. All of these are valid reasons to improve one’s writing skills – humans are social creatures that, introvert or extrovert though we may be, need communication in order to feel fulfilled. Writing is just one of those ways, and it opens so many doors.

In a year, you’d wish you’d started today.

Warm wishes,

~ Taegan

Painting and the Editing Process

Happy Easter Weekend, everyone!

I have to apologize for missing our date these past couple of Fridays. Truth be told, we’re in the home stretches of renovating our house following a flood last year and we’ve been feeling antsy to get it all over and done with, so forgive me if these posts are a little light. Most of my role lately has been painting, and this past week’s project has been painting the insides of our kitchen cabinets in particular. It’s been tedious, but worth it; that sentiment and the way our cabinets now seem illuminated from within got me thinking about the editorial process.

Those of you that have worked with me before may be familiar with my advice that rarely does a single round of editing get a text polished to perfection. I’ll frequently recommend at least two rounds:

  1. The first catches all the small and distracting errors such as spelling, grammar, and consistency (a proofread, basically); once those are resolved…
  2. The second round is able to delve deeper and catch flaws of ideas, character, pacing, and so on.

It’s similar to painting these cabinets of mine – on the untreated, raw draft of the wood, a single once-over with the brush does very little. By the second go-round, things are looking a lot better, but on a few I’ve needed a third or even fourth coat before they’re the best they can be. I use a fatter, broader brush – a wider-toothed comb, if you will – to do the bulk of the work, and then go back with the thinner detail brush – the fine-tooted comb – to get those hard-to-spot places and the edges. I’ll do this as much as I need to until it’s polished.

I’m sharing this because it’s useful for you to know that your editor has a variety of mental tools or modes in which they work to get your project on track. While there are those of us that may employ several of these all in one sitting, it’s best to prepare for the possibility that more than one session may be necessary in order for you to get a thorough service, particularly on longer projects.

It is of course possible that a single round of a broader brush does the trick, just as it’s possible to receive a manuscript that – on the surface at least – doesn’t need touching at all. While I firmly believe “If it ain’t broke, don’t fix it”, I also believe as a writer that an editor’s job is not just to catch that single typo in seventy pages, but to illuminate the project from within by making suggestions that can improve its overall caliber. In other words, there wasn’t exactly anything wrong with my unpainted cabinet interiors, but don’t they look so much more professional, so much brighter, now that they’re painted? Instead of focusing on the sub-par things, I can focus on the contents. Likewise would I feel negligent in keeping silent on conceptual, creative, or theoretical flaws or gaps that, when addressed, could bring a project from ‘Good’ to ‘Insightful and Engaging’.

It’s not complicated. Tedious, sometimes, but worth it. And we editors and cabinet-painters alike wouldn’t do it if we didn’t enjoy it.

Warm wishes,

~ Taegan